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The intro to the song is a sample of Bel-Sha-Zaar’s “Introduction” and adds more substance and support than the repetitive composition of “Who Dat Boy?” The song takes some similarities from “Who Dat Boy?” but is constructed in a way that adds much more to the tone of the song. Next, “I Ain’t Got Time” contrasts the theme of “Boredom” with an energetic beat. Tyler addresses his feelings of being alone and bored in the times that he isn’t busy, wishing he had anything else but being bored with the verse “I need some food, I could order But I hate eating solo Need someone, we can loiter in parking lots and sunsets at the border.” “Boredom” features a more extensive amount of features than other tracks on the album with Anna of the North, Corinne Bailey Rae, and Rex Orange County all making appearances in the background and forefront of the song. The next track on the album, “Boredom” blends seamlessly with “Garden Shed” because of its tone, and its content while talking about a completely different topic. The meaning behind this song specifically ties the topic of his sexuality, the “Flower Boy” metaphor, and the nature theme of the album all together. Love every flower out the cocoon,” use the same imagery of flowers, and nature as metaphors for LGBT+ culture. Featured artist, Estelle’s lyrics, “Don’t kill the rose before it could bloom. Tyler directly addresses his sexuality once again in “Garden Shed” using the shed as a metaphor for the closet, translating it into his “Flower Boy” theme.
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The track uses the term “pothole” as a metaphor for the things that hold Tyler back in life temporarily. Keeping the same sort of style, yet more toned down, Tyler continues with his familiar synths and creative beat in “Pothole.” This track notably features Jaden Smith, and tells the story of Tyler acquiring a new fancy car. This track is mostly just a “trap hit” but it still has some clever wordplay and references to Tyler’s life currently with the lyric, “Cons, overalls, and a striped shirt” referencing his exclusive collaboration with Converse. The album takes an abrupt turn from the softer side to a hard hitting trap-style beat with “Who Dat Boy?” (feat. Uchis serves as a contrasting and feminine voice giving a “dreamy” feel to Tyler’s reminiscent lyrics of the relationship he once had. Kali Uchis, a featured artist on Tyler’s last album, “Cherry Bomb,” appears on this track singing the chorus with Tyler. Tyler begins with lyrics about a love affair he had, seemingly with a male. “See You Again” serves as the song the listener was referring to. Dye your hair blue, shit, I’ll do it too,” serving as an example to anyone going through similar experiences to be themselves.įollowing the theme is a short track titled “See You Again.” The song features a repeating lyric sung by Tyler with a voiceover from Shane Powers, host of “The Shane Show” on Tyler’s media channel “Golf Media.” Powers is talking to a listener who is requesting a song and after a moment of silence, the listener requests “The one about me.” Tyler says, “Tell these black kids they can be who they are. This piece leads Tyler into his story of learning to become his own person and do what he wants to do, generally regarding his sexuality and presentation as a rapper. Tyler’s verses explain how his motivation is affected by his thoughts by using existential questions masked in imagery, “how much road can they pave, until I run out of land? How much land can it be until I run in the ocean?” The track serves as an appropriate intro by giving listeners a clear view of Tyler’s frame of mind.Ī piano-led intro to the song “Where This Flower Blooms” is followed by vocals from Frank Ocean. The opening track “Foreword” predominantly features a guitar instrumental complimented by alternative singer Rex Orange County’s vocals. Tyler openly discusses his sexuality, more than he ever has on past albums, and gives fans an unshrouded view of himself. Tyler, The Creator’s fourth official album, Flower Boy, offers an introspective view of himself by using imagery to explain his sexuality. By Kenna Lewis | Photography Fair Use *review contains profane language